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Courts & camps of the Italian renaissance being a mirror of the life and times of the ideal gentleman Count Baldassare Castiglione derived largely from his own letters and other contemporary sources, to which is added an epitome of his famous work "The book of the courtier," with appreciations & annotations by Christopher Hare [pseud.]. by Christopher Hare

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Published by C. Scribner"s sons in New York .
Written in English

Subjects:

  • Social life and customs,
  • Court and courtiers. [from old catalog],
  • Biography,
  • Renaissance

Book details:

Edition Notes

Books consulted: p. 280-282.

ContributionsCastiglione, Baldassarre, conte, 1478-1529
Classifications
LC ClassificationsDG540.8.C3 A5
The Physical Object
Paginationxv, 297, [1] p.
Number of Pages297
ID Numbers
Open LibraryOL24660823M
LC Control Number08031670

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Italian Renaissance Courts: Art, Pleasure and Power (Renaissance Art) Hardcover – February 2, by Alison Cole (Author) out of 5 stars 8 ratings. See all formats and editions Hide other formats and editions. Price New from Used from Kindle "Please retry" $ — — Hardcover "Please retry" $/5(9).   Courts & Camps of the Italian Renaissance: Being a Mirror of the Life and Times of the Ideal Item Preview remove-circle Share or Embed This Item. Book digitized by Google from the library of Harvard University and uploaded to the Internet Archive by user tpb. AddeddatePages: Courts & camps of the Italian Renaissance: being a mirror of the life and times of the ideal gentleman Count Baldassare Castiglione derived largely from his own letters and other contemporary sources: to which is added an epitome of his famous work "The book of .   5. Jacob Burckhardt, The Civilization of the Renaissance in Italy (Penguin Classics) Third Printing Edition, (Penguin Books Hamondsworth, ). This remains a very influential work on the Italian Renaissance and especially the origins of the Renaissance. It was published in the 19th century by one of the most acclaimed historians of the century.

In this book, Leah R. Clark examines collecting practices across the Italian Renaissance court, exploring the circulation, exchange, collection, and display of objects. Rather than focusing on patronage strategies or the political power of individual collectors, she uses the objects themselves to elucidate the dynamic relationships formed. Between the two splendid poles of Naples and Milan - the two great rival powers of Italy - were a cluster of duchies and princely courts, each with its own desire for fame. Like small jewels, these isolated towns and palaces glittered with artworks of the greatest virtuosity and remarkably innovative literature, music, and the sciences. In the service of their own magnificence, these great.   This book deals with life in the courts of renaissance Italy in the 15th and 16th centuries. Five courts are treated in indvidual chapters: Naples, Urbino, Milan, Ferrara and Mantua. Court life, politics and the charaters of the princes receive a lively description, but the emphasis is on the artistic legacy, much of which survives s: 9. Italian literature - Italian literature - The Renaissance: The European Renaissance (the “rebirth” of the classical past) really began in 14th-century Italy with Petrarch and Boccaccio. The 15th century, devoid as it was of major poetic works, was nevertheless of very great importance because it was the century in which a new vision of human life, embracing a different conception of man.

books voters list created October 17th, by Brian. Tags: historical-fiction, intrigue, medieval, middle-ages, renaissance likes Like.   Calliope, by Cosme Turà. I have read this book three times and can count on coming back to it in the future to reread sections. When considering art in Italy during the Renaissance, one immediately thinks of only three centres: The republics of Tuscany and the Veneto and, in the later period, Rome with its Papacy.4/5(4). In art history, High Renaissance, is the period denoting the apogee of the visual arts in the Italian Renaissance. The High Renaissance period is traditionally taken to begin in the s, with Leonardo's fresco of the Last Supper in Milan and the death of Lorenzo de' Medici in Florence, and to have ended in with the sacking of Rome by the troops of Charles V. The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture.